ً_ً تجمع طالبات البويتري مع د ناريمان ^_^

[redcandle]

بنات والله مو معقول هاذا الشئ اختبار في حاجة اصلا هي ماشرحتها لا وحدة من القصائد بالفرنسي

[EEEEE]

ايش تتوقعون من وحده مكتبها ومكتب سوزان فكهاني في نفس الغرفة!!!!!!!!!!

[ام رؤوم]

السلام عليكم ورحمة الله وبركاته
la belle ماهي باللغة الفرنسية هي قصيدة انجليزية بس عنوانها باللغة الفرنسية ومعناه المرأة الجميلة عديمة الرحمة وإن شالله اضيف الشرح اللي عندي لدي القصيدة

[ام رؤوم]

poem's summary
Lines 1 – 12
The ballad consists of two parts of dialogue, each uninterrupted by the other and each uncouched by the normal story-telling mechanisms for identifying speakers ("I said," "he said," etc.). Because of this, the identity of the first speaker, whose part is completed in the first twelve lines, remains cryptic. Though he (or, it could equally be argued, she) reveals the identity of the other (the "knight-at-arms"), the first speaker says nothing, at least directly, about himself. He does, however, give plenty of information about the situation of the poem. The time is late autumn, the annual grasses having already "wither'd" and the birds having departed on their winter migration. The place, one can infer, is not always as forbidding as it seems to be now — its desolation is simply due to the time of year. There has been a "harvest," but it has ended. There is latent life present around the two characters: "the squirrel's granary is full." Therefore, if the setting symbolizes the knight's emotional desolation, one must understand it as a function of an individualized circumstance: of a very specific but not necessarily permanent condition. Come spring, after all, the cycle of the harvest will begin again. Yet, this seems little consolation to the knight the speaker describes. He is "alone and palely loitering," "so haggard and so woebegone." His pallor is described phorically in terms of a "lily" on his brow and a "fading rose" on his cheek. Further, he appears physically ill, "moist" from the "fever" of some "anguish." Though through these observations the speaker has already foreshadowed the reasons for the knight's grim condition, the form's rhetoric demands the question be asked: "O what can ail thee?" A knowledge of chivalric lore should prompt the correct guess. Of a knight's three profound allegiances — to his God, his lord, and his lady — only the last would be described in terms of lily-pallor and a faded rose.

[ام رؤوم]

Lines 13 – 24
The story's twist occurs in the first stanza of the knight's speech. Though a "lady" was bound to figure into the poem, that she is a "faery's child" changes the expectations of the tale's outcome and causes readers to reinterpret the nature of the knight's desolation. Literature and myth are filled with examples of humans who fall in love with gods, and with little exception, such relationships bode disastrously for the mortal party. Particularly in that area of mythology dealing with fairies or fairy-like creatures, humans who become enamored of fairies, elves, pixies, and the like generally suffer extreme emotional consequences once their affairs with the capricious beings have ended. Having loved an immortal, these hapless humans discover that mere mortal beauty — which can include not only human lovers but also life itself — will no longer do. Based on thse conventions, readers understand immediately that this is the knight's fate, and through his deions of his fairy-love's beauty, readers see the caprice that brings on his doom. In keeping with fairies' quick and unpredictable behavior, "her foot was light." Her long hair suggests the sensual nature of such creatures, who in lore are given to continual pleasures, and "her eyes were wild." The knight confesses he was taken in by his lady's fairy-penchant for "seeming:" She looked at him "as she did love." In the terms of chivalric belief-systems,

[ام رؤوم]

and this is the analysis of '' She Walks in Beauty'' by Byron
meaning:
Of course it's obvious that this poem is somewhat of a love poem, expressing how beautiful this woman is that Lord Byron is looking at. She combines opposites (or extremes) in perfect proportions in her looks and in her personality. Whether it is a true declaration of love or a statement of admiration (of her beauty) is left to the reader, since it's known that this poem was about his cousin, Mrs. Wilmot, whom he met at a party in a mourning dress of spangled black.

mechanisms:
The poem opens with a line that doens't have punctuation (enjambment): it runs over to the next. Not only that but the next line has a different kind of meter. Poets use this mechanism together with enjabment to attract attention to certain words. For example in the fourth line, the word "meet" is emphasized. It is an important word in the poem because it is the premise of the entire poem. Opposites "meet" in this woman. Just as enjabment and a change in meter are joined as mechanisms in this poem, the unlikely pair of darkness and light meet in this woman.
Also, this poem makes use of alliteration, the repeating of the first letter of a word to get an easy-reading effect. Look at the second line: "Of cloudless climes and starry skies."

imagery:
Lord Byron describes a night (associated with darkness) with bright stars (light) and compares this woman to that night. She brings together these opposites in her beauty and creates a "tender light." Not a light like the daytime, since he describes that as gaudy (showy in a vulgar way), but a light that "heaven" doesn't even honor the daytime with.
Byron describes light and dark coming together in her appearance (or "aspect"), as in her dark hair ("tress") and the light complextion of her face. But her also says they meet in her eyes. The eyes are often associated with a person's soul, and reveal the heart. So he is suggesting that opposites meet in her soul as well.
Note also, that Byron says that if this darkness and lightness wouldn't be in the right proportions ("One shade the more, one ray the less"), her beauty wouldn't be completly ruined as you might expect. He says that she would only be "half impaired," and thus still half magnificent.

[ام رؤوم]

إن شالله اكون أفدتكم.. و إذا في اي سؤال أنا حاضرة

[EEEEE]

يابنات ايش شكلها هاذي
"My Last Duchess
يعني هيا من ضمن الرومانتسزم ولا الفكتوريان

مرة ملخبطة صارت تقولنا اسماء قصايد كل شوي احسها لخبطتنا مابين العصرين

شي واكس ان بيوتي و لا بل دام ... و ماي لاست دتشيز وحقت اليوم مو عارفة اسمها واللي نحضرها السبت اكروس باي

مو قادرة اركز

اللي اخدناها اليوم ايش اسمها؟

[Conscientious]

if thee must love me

sonnet

[redcandle]

بنات فاهمين ايش تبغى في الاختبار يوم الربوع؟؟؟؟
واللي عندها شرح قصيدة she walks in beauty بليز تنزلها